Category Archives: biedermeier

A titkos cikk: Késő nazarénus, késő romantikus és kártyatervező: A Kupelwieser-tanítvány Unger Alajos újrafelfedézese. In: Arrabona 50 / 2 (2012)

A titkos cikk. A múzeumi oldalon nem található, hivatal pdf nem kaptam meg. Ez ellenére itt az Arrabona 50 / 2 tanulmányom magam pdf formátumban. A győri Unger kártyafestő és művészcsaládról. Unger Károly (1812-1895), pap, püspöki írnok és levéltáros az újvárosi Nepomuki Szent János kápolna kurátóra volt, a kápolna melleti házban élt. Ott 1878-ban testvére Ifj. Unger Mátyás kártyafestő halt meg, és ott Unger Alajos akadémiai festő olajképei egyszer is raktározottnak.

Wunderlich, Claudia: Késő nazarénus, késő romantikus és kártyatervező: A Kupelwieser-tanítvány Unger Alajos újrafelfedézese

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Alajos Alois Unger as a frescoist?

It is a well-known fact that the Nazarenes earned great fame for their frescos in Villa Bartholdy and Casa Massimo in Rome in the 1810s/20s. One of these artists who participated in this work was Joseph von Führich (1800-1876), who became a professor of “historical composition” at the Vienna Academy of Fine Arts in 1840. Both he and his colleague Leopold Kupelwieser (1796-1862), Alajos Alois Unger’s main teacher, reestablished the fresco technique in Austria and taught it to their students. In Unger’s hometown Győr, a fresco from the first half of the 19th century, which looks as though it had been painted in the 1840s, by a hitherto unknown artist can be found in the so-called chapter house. It is owned by the diocese of Győr. On the upper floor of the house, an illusionist land- and townscape fresco can be found, which strongly resembles Unger’s picture clock in terms of style and colours. Further sources and/or technical art historical, investigation into the matter would be necessary and would through new light into the workings and influence of the late Nazarene and late Romanticist school onto Hungarian art in the 19th century as well as into the Kupelwieser-Führich circle’s activities in Hungary:

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Megjelent a legfrisseb Unger tanulmány az Acta Ethnographica Hungaricában // The most recent article on the Ungers has been published in Acta Ethnographica Hungarica

Angol nyelvű The iconography, design and manufacture of the 19thcentury playing-cards by the Unger family from Győr cimű tanulmányt írtam s most megjelent. Itt az absztrakt. Magyar forditás hamarosan is lesz. Egy kis türelemt kérem szépen.

My latest article entitled The iconography, design and manufacture of the 19thcentury playing-cards by the Unger family from Győr has now been published. The abstract can be found here. I shall soon provide a Hungarian translation.

Abstract:

The present article offers new evidence on the Unger playing-card making family of Győr, Western Transdanubia as the result of a cross-disciplinary study. Mátyás Unger the Elder (1789-1862) and his like-named son Mátyás the Younger (1824–1878) produced various types of playing-cards from the early to mid-19th century. In particular, their cards, their iconography, design and production process will beanalysed. The family is best known for their cards with Sopron (Oedenburg) pattern. Also discussed will be the role of Mátyás the Elder’s second eldest son Alajos Unger (1814-1848) as a possible designer of the later Unger cards, which were of considerably higher quality than the earlier known ones by Mátyás Unger the Elder.

The hitherto little-known Alajos Unger was trained as a draughtsman and painter first at the National DrawingmSchool of his hometown and then, between 1833 and 1842, at the Vienna Academy of Fine Arts, particularly under Leopold Kupelwieser (1796–1862). Finally an innovative outside-in bottom-up method for gaining further, reliable insight into 19thcentury artisanal playing-card manufacturing will be proposed to determine the size, output and profitability of the Unger workshop based on material-flow simulation.

Keywords: 19th century Hungarian playing-cards, Sopron pattern, Mátyás Unger, Alajos Unger, playing-card iconography, artisanal playing-card production, reconstruction of a playing-card workshop, material flow simulation

Acknowledgements: Special thanks to Dr. Erzsébet Györgyi, Antal Jánoska, Peter Endebrock, Dr. phil. Cornelia Friedrich, Dr. Mária Unger, Dr. Gyula Vadász, István Pozsonyi, my family & particularly my husband Jürgen for their help and encouragement. Last but not least thanks to Professor Gábor Barna for the kind interest expressed in my work.

Tovabbi információk / further information:

http://www.akademiai.com/content/ug32757g237r/?p=65d38f20bccc481aac10dc3d5dfc7c9f&pi=0

The main Unger playing-card workshops // Az Unger kártya főműhelyek

The continued research of the past year has yielded new results and it has now been possible to locate the exact places where the two main playing-card workshops of Mátyás Unger the Elder and Younger were located in Győr: one in Apáca utca, formerly #323, now #27, next to the German Hospital and Church. Altogether, though, the old house no longer exists as it was torn down with its two neighbouring houses to the left and right when the German Hospital built a new building adjacent to its original edifice in the latter half of the 19th century. It is now an old folks’ home, according to Dr. Gyula Vadász. This house belonged to the Ungers from the 1810s to the early 1840s, when they had to have it auctioned off and moved to Bástya utca #260, now Duna kapu tér #7. This brown house was newly erected in 1850, and the Ungers therefore took residence in the Apatur ház on Széchenyi tér at around this time, but kept their playing-card workshop there until c 1857, when they ceased their playing-card production in Győr.

Standard 56-card deck

Standard 56-card deck (Photo credit: Wikipedia)

Despite the fact that the original house in Apáca utca is obsolete now, we have been able to make considerable progress with the reconstruction, ie outside-in analysis of the artisanal playing-card production in 19th century in Győr. To be continued… and photographs will also be added to this post soon.

Alajos Unger’s Mary with Jesus and John (oil on canvas)

Alajos Unger’s “Mary with Jesus and John”, oil on canvas, ca 70×90 cm, date unknown, family ownership

The oil painting has been in the possession of the descendents of the Unger family and it has never been on display in an exhibition yet. On 31 May 2010 it was transported from Lower Austria to Győr by Dr C Wunderlich, where it was taken to the János Xántus Museum by Gy P, director of the museums of Győr-Sopron-Moson County and Z Sz, curator of the upcoming exhibition on the Unger family. It is currently being restored. The photograph shows the painting in the museum director’s room at the museum on Széchenyi Square in Győr on that same day.

The picture features Mother Mary with Jesus and little John the Baptist with Joseph and Zachary in the background.

(Upon request of the painting’s owner, the photograph has been removed for the time being.)